eatskeet:

CAM’RON FOREVER
eatskeet:

CAM’RON FOREVER
eatskeet:

CAM’RON FOREVER
rocketumbl:

日本万国博覧会 Expo ‘70
rocketumbl:

日本万国博覧会 Expo ‘70
rocketumbl:

日本万国博覧会 Expo ‘70
rocketumbl:

日本万国博覧会 Expo ‘70
rocketumbl:

日本万国博覧会 Expo ‘70
rocketumbl:

日本万国博覧会 Expo ‘70
rocketumbl:

日本万国博覧会 Expo ‘70
rocketumbl:

日本万国博覧会 Expo ‘70
rocketumbl:

日本万国博覧会 Expo ‘70
rocketumbl:

日本万国博覧会 Expo ‘70

knicksknotes:

Woody doesn’t look too broken up

jamesnord:

10 from the weekend. 
jamesnord:

10 from the weekend. 
jamesnord:

10 from the weekend. 
jamesnord:

10 from the weekend. 
jamesnord:

10 from the weekend. 
jamesnord:

10 from the weekend. 
jamesnord:

10 from the weekend. 
jamesnord:

10 from the weekend. 
jamesnord:

10 from the weekend. 
jamesnord:

10 from the weekend. 

jamesnord:

10 from the weekend. 

how you put on a bow tie?

space-pictures:

Helix Nebula
Images: NASA, NOAO, ESA, the Hubble Helix Nebula Team, M. Meixner (STScI), and T.A. Rector (NRAO).
space-pictures:

Helix Nebula
Images: NASA, NOAO, ESA, the Hubble Helix Nebula Team, M. Meixner (STScI), and T.A. Rector (NRAO).
space-pictures:

Helix Nebula
Images: NASA, NOAO, ESA, the Hubble Helix Nebula Team, M. Meixner (STScI), and T.A. Rector (NRAO).
space-pictures:

Helix Nebula
Images: NASA, NOAO, ESA, the Hubble Helix Nebula Team, M. Meixner (STScI), and T.A. Rector (NRAO).

space-pictures:

Helix Nebula

Images: NASA, NOAO, ESA, the Hubble Helix Nebula Team, M. Meixner (STScI), and T.A. Rector (NRAO).

(via modestmemory)

fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown) fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown) fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown) fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown) fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown) fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown) fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown) fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown) fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown) fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.
I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans. And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.
— Fabio Sgroi
A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.
(via elisebrown)

fotojournalismus:

Prolaz, project about the continuous change experienced in the Balkans over the last years. It’s about the complexity of the human condition during the region’s transition toward democracy. It’s a personal view on the tension and the contradiction occurring here.

I started my journey in 2004 from Istanbul, I decided to start from Turkey, to capture the influence of Ottoman Empire in the Balkans.
And continue in subsequent years in different cities and surroundings from Albania, Bosnia, Bucharest, Croatia, Hezegovina, Kosovo, Istanbul, Macedonia, Montenegro, Sofia, Serbia, Skopje, Thessaloniki.

— Fabio Sgroi

A land of unsure boundaries, where opposites both attract and repel each other. The last decade has violently changed the physical and psychological dimension of these towns, evolving them into a nationalist drama and perhaps the conclusion of an irreversible sense of their own being. Nevertheless, there are vibrant feelings of hope and fear, stemming from the people’s conflicting sense of their cultural heritage.

(via elisebrown)

gypsyone:

NORM AROE CES // TEL AVIV, ISRAEL 2013 gypsyone:

NORM AROE CES // TEL AVIV, ISRAEL 2013 gypsyone:

NORM AROE CES // TEL AVIV, ISRAEL 2013 gypsyone:

NORM AROE CES // TEL AVIV, ISRAEL 2013 gypsyone:

NORM AROE CES // TEL AVIV, ISRAEL 2013

gypsyone:

NORM AROE CES // TEL AVIV, ISRAEL 2013

Easily the best purchase of the year #pirlo #blessed